There was a time when a Ghanaian wedding was mostly about two people, two families, and enough food to make sure nobody went home complaining.
Today, getting married can feel like launching a small entertainment company.
First comes the proposal. Then the engagement. Then the bridal shower. Then the bachelor party. Then the pre-wedding photoshoot. Then the traditional wedding. Then the white wedding. Then the reception. Then the after-party.
Somewhere in between, there are clothes to sew, venues to decorate, makeup to book, cars to arrange, souvenirs to package, photographers to pay, and relatives to convince that, yes, everybody really does need to be invited.
By the time the couple finally says, “I do,” they may already feel like they have been married for six months. Tired, in debt, and only halfway to the actual wedding day.
Perhaps that is the first thing we need to admit about Ghanaian weddings today: we are no longer simply celebrating marriage. We are producing an event.
Events have budgets. They have audiences. They have expectations and increasingly, they have competition.
The wedding is no longer just for the people attending
Social media has fundamentally changed what a Ghanaian wedding is expected to look like.
The ordinary Ghanaian wedding started competing with the internet’s most extraordinary weddings.
A bride preparing for her big day is no longer comparing her plans only with what her sister did three years ago, or what happened at the wedding down the road. She is seeing weddings from Accra, Lagos, Johannesburg, London and Dubai.
The ballroom, the flowers, the dramatic entrance, the seventeen bridesmaids, the designer gown, the fireworks, the choreographed bridal party, the cinematic video, the drone shot, an entrance that appears to have required the same production team that handles the Olympics opening ceremony.
Then she looks at her own budget.
Suddenly, a perfectly decent wedding begins to feel inadequate.
This is the strange economics of social media: it allows ordinary people to compare their real lives with other people’s highlight reels. Weddings are especially vulnerable, because they were already social performances long before Instagram showed up to raise the stakes.
Nobody wants their wedding to be the one people describe as “It was nice.” People want “Ei! Have you seen the pictures?”
That difference can cost money. Sometimes it costs a small mortgage.
We have turned “beautiful” into “expensive”
There is nothing wrong with wanting a beautiful wedding. The problem is that we have gradually started confusing beauty with scale.
The venue must be impressive. The decor must be elaborate. The bride must have multiple outfits. The groom must also change, at least twice, for reasons nobody has ever fully explained. There must be professional photography and videography.
The reception needs an MC who can command a stadium. The DJ must be good enough to resurrect people who have been sitting quietly for three hours in uncomfortable shoes. The cake must have architecture. The food must be plentiful. The souvenirs must be useful, or at least look expensive enough that nobody checks. The chairs must match. The colours must match.
Most importantly, everything must photograph well because today, your wedding is not finished when the guests go home. It still has to pass the internet.
Then there is the Ghanaian wedding guest
We often talk about how expensive weddings are for the couple. We do not talk enough about what they cost everybody else.
You receive the invitation. You are excited. Then you see the dress code.
Your excitement quietly leaves the room, closes the door gently on its way out.
Now you need cloth. Tailor. Shoes. Hair. Make-up. Transportation. Gift and if the wedding is outside Accra, perhaps accommodation too.
You have not gotten married. You have not proposed. You have not even met the couple’s parents. Yet somehow, their wedding has entered your monthly budget as an uninvited line item, sitting right there between rent and data bundles.
Ghanaian weddings have a special way of making refusal feel like a moral failure. “Please come and support us.” So you go. You spend. You dance. You take pictures. You post: “What God has joined together…”
On Monday morning, you check your MoMo balance and wonder what exactly God joined together between you and that wedding bill.
But the pressure does not come only from social media
This is where we need to be fair.
Ghanaian weddings have always been communal. Marriage is not simply an individual affair. Parents have expectations. Families have expectations. Churches have expectations. Friends have expectations. Sometimes the couple is not really planning a wedding they are negotiating one.
The bride’s family wants this. The groom’s family wants that. The auntie who has contributed money wants to invite her entire hometown. The uncle who is paying for the drinks has opinions about the venue. The bridal party has opinions about outfits. The friends have opinions about the after-party.
Because everybody is contributing something, everybody feels entitled to decide something. The couple can slowly become the least powerful people in the planning of their own wedding. Guests of honour at a party they are quietly not allowed to design.
Then comes the dangerous part: looking successful
This is where weddings intersect with something much bigger in Ghanaian society: status.
We live in a culture where people are often judged by visible signs of success. The car. The house. The clothes. The school. The neighbourhood and now, the wedding.
Nobody sees the savings account you protected. Nobody sees the business you decided to fund instead. Nobody sees the furniture you bought quietly, or the emergency fund sitting untouched.
But everybody sees the wedding.
That creates a strange incentive. A couple may have GH¢100,000 and sensibly decide to spend GH¢30,000 on the wedding and preserve the rest for their life together. But somebody will still ask, “Is that all?” Because the GH¢70,000 they saved is invisible. The GH¢30,000 they spent is on Instagram and what people can see often carries more social value than what they cannot.
The wedding can become a performance of wealth
This is why the problem is not simply that Ghanaian weddings are expensive. It is that some weddings are becoming expensive because they are expected to prove something that you are doing well, that your family is doing well, that your husband is capable, that your wife is worth celebrating, that your parents can afford it, that your social circle is successful, that your wedding is worthy of attention.
Social media has made this performance permanent. The wedding that would once have been remembered by a few hundred people can now be viewed by thousands. The photographs can circulate for years. The video can go viral. The entrance can become TikTok content, replayed by strangers.
Suddenly, the couple are not just getting married. They are launching their marriage to an audience.
But here is the uncomfortable question
Are we spending too much time planning the wedding and not enough time planning the marriage?
We know how to discuss the colour scheme. We know how to debate the venue. We know exactly how many people should sit at the head table. We know which photographer produces the best cinematic shots.
But do we spend the same energy discussing debt? Housing? Savings? Children? Career plans? Household responsibilities? Family boundaries? Financial expectations? What happens when one person loses their job? What happens when the romance becomes ordinary, and the only thing left is the two of you and a house full of decisions?
What happens when the Instagram posts stop and the bills continue, quietly, every single month, long after the last “congratulations” comment?
Because the wedding is the launch. The marriage is the business that has to survive after the launch party ends and the investors go home.
That is where our priorities deserve another look.
Nobody is saying weddings should be boring
This is not an argument for everybody to get married under a mango tree with two plastic chairs and a bottle of malt.
Celebrate. Dance. Wear the kente. Take the photographs. Feed your guests. Hire the band. Give your mother the wedding she has dreamed about since you were seven. If you can afford the grand ballroom, have the grand ballroom. If you can afford the fireworks, let the fireworks fly.
The problem is not extravagance. The problem is extravagance that becomes obligation.
There is a difference between:
“We can afford this and this is what we want.”
and:
“We cannot afford this, but what will people say?”
That difference matters. Because the first is celebration. The second is pressure wearing a wedding gown.
Perhaps we need to make weddings smaller in our minds
Maybe the most important thing Ghanaian couples can recover is the freedom to say: “This is enough.”
Enough does not mean cheap. Enough means the wedding reflects the couple rather than the expectations surrounding them. Enough means you can celebrate without borrowing money simply to impress people who will forget the seating arrangement by breakfast.
Enough means the wedding does not have to compete with somebody else’s wedding in Lagos. Enough means your marriage does not begin with everybody else’s applause and your own quiet financial anxiety.
At the end of the day, the decorations will come down. The caterers will leave. The DJ will pack his equipment. The photographer will send the pictures, eventually, after several follow-up messages. The guests will go home. The Instagram likes will eventually disappear beneath somebody else’s wedding, the way all applause does.
And the two people who got married will still have to wake up on Monday morning.
They will have rent to pay. Bills to settle. A home to build. Decisions to make. Arguments to survive. Children, perhaps, to raise. A future to finance.
That is the wedding that nobody photographs. That is the wedding that does not trend.
And perhaps that is the one we should be preparing for most.
If we are not careful, we may spend so much money making the wedding look successful that we forget to give the marriage a chance to actually be one.
By Hannah Agyemang

